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Read articles by Victor Mosielev about sculpture, creative projects, exhibitions and the ideas behind his work.

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Visit Victor Mosielev’s online exhibition and explore original sculptures, artistic projects and series of works.

Works by Victor Mosielev — Online Sculpture Exhibition

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About me

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I have been sculpting for as long as I can remember.

Until the age of two, I was a very restless child—until plasticine found its way into my hands. After that, everyone forgot about me, just as I forgot about everyone and everything else. In my first year at school, I had already chosen sculpture as my future profession, unlike the other boys who dreamed of becoming cosmonauts, sailors or Native American warriors. I kept sculpting, and the awareness of my vocation came with time.

For me, the idea behind a composition comes first: not merely to sculpt a body, but to reveal through form the true soul of the subject—their essence, their hidden nature, their inner self. While sculpting, you sometimes begin to search within yourself. In any case, an artist’s work reflects their experiences and aspirations, preserving something of them in time.

Sometimes you simply knead a piece of plasticine in your hands and something interesting suddenly appears—something worth keeping. Yet the result is far more rewarding when you set yourself a task and then search for the answer through sculptural form. Sculpture, as an art that exists in space, is a true union of form and concept.

The path towards a finished work can be long. Some projects develop over years: something feels wrong, although you cannot yet understand exactly what it is. You turn the study around, search and reshape it.

Beyond the concept, a sculpture must not only be harmonious but also precisely constructed. Even the position of a little finger must be exactly where it belongs—not a millimetre to the left or right. Here, and nowhere else. This applies to every detail, especially in a multi-figure composition. This is where mathematics enters the work.

I am currently developing several projects that include the series Angels of the Apocalypse, Golgotha, Amazons and Kali Yuga. I feel a close connection to viewing the world through the lens of Eastern culture. I have travelled through India on many expeditions—from plein-air sessions, ashrams and yoga to the Rohtang Pass in the Himalayas, 4,700 metres above sea level in the north, and Kanyakumari, the southernmost point of the Indian peninsula. All of this provides a rich source of nourishment for my ideas and projects. These works are not about the past; through the “archaism of our time,” they reflect the present in which we live.

My aim is to express my thoughts through form. Over the years, I have accumulated an entire suitcase of sketches, while small clay studies fill the shelves, and something new is born every time. Even without new ideas, two lifetimes would not be enough. Some things I will never sculpt and they will remain on paper, because the newest ideas always feel closer.

An artist cannot help creating—in this sense, the artist is selfish, even if no one else needs the work. And the artist is always their own most demanding critic.

My studio is wherever I am. There is always paper, a pencil and plasticine in my car. Even on a desert island, alongside the work of survival, I would draw in the sand with my finger.

Welcome to the online exhibition of my work—a place where sculpture speaks through form, ideas and the artist’s experience.

Sculptor Victor Mosielev

Sculptor & artist

Explore the portfolio of sculptor Victor Mosielev: original sculptures, monuments and commissioned works of art. Contact the artist to discuss a project or collaboration.

Victor Mosielev — Professional Sculptor

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Member of the Union of Artists of Russia
Member of the Interregional Union of Russian Artists (Crimea)
Honorary Member of the I. K. Aivazovsky Academy of Arts
Doctor of Science, Honoris Causa, IACA, in the field of Art

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Victor Mosielev is the sculptor behind the philosophical series “Angels of the Apocalypse,” “Golgotha” and “Kali Yuga.” Learn more about the artist and his projects.

Victor Mosielev — Biography and Work of the Sculptor

Victor Mosielev was born in Krasnoyarsk in 1970. He completed every stage of formal art education: the V. I. Surikov Krasnoyarsk Art School, the Krasnoyarsk State Art Institute, from which he graduated with honours, and the Creative Workshops of the Russian Academy of Arts. As a student, he travelled to India on a creative assignment, which resulted in the series Indian Studies. His works have been exhibited at the Indian Academy of Arts in Delhi and the State Tretyakov Gallery in Moscow. Since 1994, he has participated actively in regional, national and international exhibitions, Art Week projects and biennales. His work has also appeared in exhibition catalogues and the media.

I am currently developing several projects that include the series Angels of the Apocalypse, Golgotha, Amazons and Kali Yuga. I feel a close connection to viewing the world through the lens of Eastern culture. I have travelled through India on many expeditions—from plein-air sessions, ashrams and yoga to the Rohtang Pass in the Himalayas, 4,700 metres above sea level, and Kanyakumari, the southernmost point of the Indian peninsula. All of this provides a rich source of nourishment for my ideas and projects. These works are not about the past; through the “archaism of our time,” they reflect the present in which we live. My aim is to express my thoughts through form. An artist cannot help creating—in this sense, the artist is selfish. Today, my sculptures stand in cities from Vladivostok to Crimea. They address military and spiritual themes and portray saints and athletes. I always seek originality and a compelling composition, but I value independent creative projects most of all: Peter and Fevronia in Chastoozerye, Romance in Uray, and the memorials to Chernobyl clean-up workers and internationalist soldiers in Taman. Small bronze works by Victor Mosielev are held in the collections of many prominent figures, including Sergey Naryshkin, Dmitry Mindiashvili, Alexander Filipenko, Lev Kuznetsov, Natalia Osipova, Valery Vostrotin, Nikolai Valuev, Fedor Emelianenko, Vika Tsyganova and others.

About the sculptor

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Privacy Policy of Victor Mosielev's Website - Protection of Personal Data

2.5. Depersonalization of personal data — actions as a result of which it is impossible to determine, without the use of additional information, the ownership of personal data by a specific User or other subject of personal data.

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2.9. Personal data permitted for distribution by the subject of personal data are personal data, access to which by an unlimited number of persons is granted by the subject of personal data by giving consent to the processing of personal data permitted by the subject of personal data for distribution in the manner prescribed by the Law on Personal Data (hereinafter referred to as personal data permitted for distribution).

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2.13. Cross-border transfer of personal data is the transfer of personal data to the territory of a foreign state to a foreign government body, a foreign individual or a foreign legal entity.

2.14. Destruction of personal data — any actions as a result of which personal data are destroyed irrevocably with the impossibility of further restoration of the content of personal data in the personal data information system and/or the destruction of tangible media of personal data.

This personal data processing policy has been drawn up in accordance with the requirements of the Federal Law of 27.07.2006. No. 152-FZ «On Personal Data» (hereinafter referred to as the Personal Data Law) and defines the procedure for processing personal data and measures to ensure the security of personal data taken by IP Mosielev V.V. OGRNIP 315235200009982 (hereinafter referred to as the Operator).

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3.1. The Operator has the right to: receive reliable information and/or documents containing personal data from the personal data subject; in the event of the personal data subject’s withdrawal of consent to the processing of personal data, as well as the sending of an application with a request to stop the processing of personal data, the Operator has the right to continue processing personal data without the consent of the personal data subject if there are grounds specified in the Personal Data Law; independently determine the composition and list of measures necessary and sufficient to ensure the fulfillment of obligations stipulated by the Personal Data Law and regulatory legal acts adopted in accordance with it, unless otherwise provided by the Personal Data Law or other federal laws.

provide the personal data subject, at his request, with information regarding the processing of his personal data; organize the processing of personal data in the manner prescribed by the current legislation of the Russian Federation; respond to inquiries and requests from personal data subjects and their legal representatives in accordance with the requirements of the Law on Personal Data; notify the authorized body for the protection of the rights of personal data subjects, at the request of this body, of the necessary information within 10 days from the date of receipt of such a request; publish or otherwise ensure unlimited access to this Policy regarding the processing of personal data; take legal, organizational and technical measures to protect personal data from unauthorized or accidental access to them, destruction, modification, blocking, copying, provision, distribution of personal data, as well as from other illegal actions in relation to personal data; stop the transfer (distribution, provision, access) of personal data, stop processing and destroy personal data in the manner and cases stipulated by the Law on Personal Data; fulfill other obligations stipulated by the Law on Personal Data.

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4.1. Personal data subjects have the right to: receive information concerning the processing of their personal data, except for cases stipulated by federal laws. Information is provided to the personal data subject by the Operator in an accessible form, and it must not contain personal data related to other personal data subjects, except for cases where there are legal grounds for disclosing such personal data. The list of information and the procedure for obtaining it are established by the Law on Personal Data;

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to revoke consent to the processing of personal data, as well as to send a request to stop the processing of personal data;

appeal to the authorized body for the protection of the rights of personal data subjects or in court against the illegal actions or inaction of the Operator when processing his personal data;

1.1. The Operator sets as its most important goal and condition for the implementation of its activities the observance of the rights and freedoms of man and citizen when processing his personal data, including the protection of the rights to privacy, personal and family secrets.

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inform the Operator about clarification (update, change) of their personal data.

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5.6. When processing personal data, the accuracy of the personal data, their sufficiency, and, where necessary, relevance in relation to the purposes of processing the personal data are ensured. The operator takes the necessary measures and/or ensures their adoption to delete or clarify incomplete or inaccurate data.

1.2. This Operator policy regarding the processing of personal data (hereinafter referred to as the Policy) applies to all information that the Operator may receive about visitors to the website

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Purpose of processing: informing the User by sending emails

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Types of personal data processing: Transfer of personal data

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The security of personal data processed by the Operator is ensured by implementing legal, organizational and technical measures necessary to fully comply with the requirements of current legislation in the field of personal data protection.

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2.4. Personal data information system is a set of personal data contained in databases and the information technologies and technical means that ensure their processing.

Privacy Policy

Conditions for processing and protecting the personal data of users of the Victor Mosielev website in accordance with the legislation of the Russian Federation.

User consent to the processing of personal data

Hereby, in accordance with Federal Law No. 152-FZ «On Personal Data» dated July 27, 2006, I, the subject of personal data, hereinafter referred to as the «User», during my use of the website https://mosielev.com/ (hereinafter referred to as the Site, Service), voluntarily, of my own free will and in my interests express my full, unconditional and unequivocal consent to the processing of my personal data (hereinafter referred to as the Consent) on the following terms:

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1. The consent was issued to IP Mosielev V.V., OGRNIP 315235200009982, INN 235213730703, located at the address: Temryuksky district., village of Taman., Krupskoy street, 48. (hereinafter referred to as the Operator). *legal address, not the office. It is allowed to indicate without the apartment

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Consent is given for the processing of personal data (automated and non-automated) in a manner that ensures their protection from unauthorized access.

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1. This Consent is valid for 2 (two) years from the date of its provision to the Operator and may be revoked at any time by submitting an application to the Operator in the manner specified in paragraph 5.3. of this Consent.

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Ваза "Времена года"

“MUSE” — 58 × 30 × 17 cm, bronze, 2024.

«МУЗА» — 58 × 30 × 17 см, бронза, 2024 г.

“THREE BROTHERS” — 88 × 160 × 77 cm, bronze, patina.Conflicts between kindred peoples have shaped history for thousands of years. Three brothers fight one another, yet their shared body becomes a symbol of unity—a common origin, kinship and culture.The work invites us to consider that it is time to stop destroying one another: by harming those closest to us, we destroy ourselves. We are a single whole living on one planet. We are humanity.

«ТРИ БРАТА» — 88 × 160 × 77 см, бронза, патина.Конфликты кровных братских народов определяли ход истории на протяжении тысячелетий. Три брата сражаются между собой, но их общее тело становится символом единства — общего происхождения, рода и культуры.Работа заставляет задуматься о том, что пора прекратить истреблять друг друга: губя ближнего, мы уничтожаем самих себя. Мы — единое целое, живущее на одной планете. Мы — человечество.

“THE KEY TO HEAVEN” — 42 × 70 × 22 cm, bronze, patina, 2023.From the series “TIME OF ANGELS.”From which side of the lock will He insert the key? Will it open Heaven or the underworld? And what will be revealed beneath the mask—joy or sorrow? Shaped like the symbol of infinity, the key represents countless choices, wisdom or the serpent’s temptation. Choosing is never easy, but everyone must decide for themselves.Beneath the torn mask—a beast’s fierce grin, Or perhaps an eye—an everlasting light. And he who forged the keys to Heaven Will receive a fitting answer from fate.

«КЛЮЧ ОТ НЕБА» — 42 × 70 × 22 см, бронза, патина, 2023 г.Работа из серии «ВРЕМЯ АНГЕЛОВ».С какой стороны замка Он вставит ключ? Небо откроет или преисподнюю? И что проявится под маской — радость или скорбь? Ключ в форме бесконечности символизирует множество решений, мудрость или искушение змея. Сделать выбор непросто, но каждый решает сам.Под сорванной маской — звериный оскал, А может быть, глаз — нескончаемый свет. И тот, кто ключи от неба ковал, Получит от судьбы достойный ответ.

“THE THIEF” (Dismas) — 92 × 54 × 22 cm, bronze, 2022.I believe, I believe, I believe. What comes next, I cannot foresee. With the skin of my hands torn and raw, Take me into the Kingdom of God. For all the deeds of days gone by, This cross is the penance I bear. And my blood shall ripen like a cluster of grapes. I believe, I believe, I believe.

«РАЗБОЙНИК» (Дисмас) — 92 × 54 × 22 см, бронза, 2022 г.Верую, верую, верую. Что будет дальше — не ведаю. Руками с истерзанной кожей Возьми меня в Царствие Божие. За все былые деяния Крест — моё покаяние. И станет кровь гроздью спелою. Верую, верую, верую.

“VOID” — 41 × 14 × 22 cm, bronze, 2004–2013.

«ПУСТОТА» — 41 × 14 × 22 см, бронза, 2004–2013 гг.

“GELDING” — 49 × 48 × 20 cm, bronze, 2022.

«МЕРИН» — 49 × 48 × 20 см, бронза, 2022 г.

“THE WALL” — 33 × 57 × 19 cm, bronze, 2019–2021.From the series “ANGELS OF THE APOCALYPSE.” An impenetrable, invisible barrier embodies the struggle with our own emotions—an obstacle built from our insecurities, desires and fears. How can we overcome ourselves and break through the wall?The night takes me captive in its web. I search for the Milky Way among stone walls And windows with their frightening gaze. They will not let the free bird fly to the stars. Our walls are strong—brick upon brick, And, clawing at the stones, I cry out in pain: “Where is the way out? Where is the door?” It appears, But the four corners close into a circle.

«СТЕНА» — 33 × 57 × 19 см, бронза, 2019–2021 гг.Работа из серии «АНГЕЛЫ АПОКАЛИПСИСА». Непробиваемая невидимая преграда олицетворяет борьбу с собственными эмоциями — препятствием, сложенным из наших комплексов, желаний и страхов. Как преодолеть самого себя и пробиться за пределы стены?Паутиною ночь забирает в свой плен. Я ищу Млечный Путь среди каменных стен И окон, их проёмов пугающий взгляд. Птицу вольную к звёздам отпускать не хотят. Наши стены крепки — кирпич к кирпичу, И, царапая камни, от боли кричу: «Где же выход? Где дверь?» Появится вдруг, Но четыре угла замыкаются в круг.

“BODHISATTVA — ENLIGHTENMENT” — 65 × 22 × 16 cm, bronze, Afghan lapis lazuli, 2021.

«БОДХИСАТТВА — ПРОСВЕТЛЕНИЕ» — 65 × 22 × 16 см, бронза, афганский лазурит, 2021 г.

“UNICORN” — 150 × 80 × 140 cm, bronze, patina, 2022.From the series “TIME OF ANGELS.”The unicorn—a symbol of purity, innocence and true spiritual values—becomes a reflection of our troubled time. It has absorbed the thoughts and actions of people who have distorted its image.Two faces—the masculine and the feminine—merge into a single cosmic energy that every viewer can sustain through the sound and vibration of bells. Only together can we endure and preserve our shared humanity.

«ЕДИНОРОГ» — 150 × 80 × 140 см, бронза, патина, 2022 г.Работа входит в серию «ВРЕМЯ АНГЕЛОВ».Единорог — символ чистоты, непорочности и истинных духовных качеств — становится отражением нашего непростого времени. Он впитал в себя мысли и поступки людей, исказивших его образ.Два лика — мужское и женское начала — слились в единую космическую энергию, которую каждый зритель может поддержать звуком и вибрацией колокольчиков. Только вместе мы можем выстоять и сохраниться как человечество.

Dimensions: 64 × 28 × 35 cm. Materials: bronze, patina. Year: 2025.

Размер: 64 × 28 × 35 см. Материалы: бронза, патина. Год: 2025.

Dimensions: 90 × 67 × 22 cm. Materials: bronze, jasper. Year: 2021.This contemporary image of Medusa the Gorgon reflects the world during the coronavirus pandemic. In her mirrored eyes, viewers see their own reflection, while the blood-red jasper symbolises our long-suffering planet.

Размеры: 90 × 67 × 22 см. Материалы: бронза, яшма. Год: 2021.Современный образ Медузы Горгоны создан как отражение мира во время пандемии коронавируса. В её зеркальных глазах человек видит собственное отражение; кровавая яшма символизирует многострадальную планету.

Dimensions: 67 × 38 × 32 cm. Material: bronze. Year: 2026.

Размер: 67 × 38 × 32 см. Материал: бронза. Год: 2026.

Дерево, 21 × 44 × 30 см, 2017 г.

“THE 108TH SON OF GENGHIS KHAN” — 61 × 22 × 19 cm, stone, 2023.

«108-Й СЫН ЧИНГИСХАНА» — 61 × 22 × 19 см, камень, 2023 г.