«МУЗА» 52х33х17 см. бронза 2024

«МУЗА»

«THE MUSE»

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For me, what is important, first of all, is the idea of the composition itself, to sculpt not the body, but to show through the plasticity of the sculpture the real soul of the hero - his essence. I mostly broadcast my ideas, but sometimes I do custom work; if they resonate with my worldview, I offer my vision. I will be glad to communicate with interested parties, and I will also listen to all your suggestions. For me, what is important, first of all, is the idea of the composition itself, to sculpt not the body, but to show through the plasticity of the sculpture the real soul of the hero - his essence. I mostly broadcast my ideas, but sometimes I do custom work; if they resonate with my worldview, I offer my vision. I will be glad to communicate with interested parties, i will also listen to all your suggestions.

We may already know you! Perhaps you have already seen my reflection through creativity. At exhibitions or on the streets of your city, a monument or an art sculpture looked at you - expressing the meaning, the idea that I conveyed in form. In any case, today, I invite you to visit the online exhibition of my works and chat - I will talk to you, expressing my thoughts and experiences in plastic. 

Sculptor Viktor Mosielev

Sculptor & artist

There is always something to offer for events in the art world

Some of the works are for sale and are waiting for your offer.

We will deliver the work to the exhibition or upon purchase

If you want to place an order or buy something from ready-made works

I am glad to welcome you to my personal blog site. This project serves the purpose of facilitating communication with the author, transmission of ideas and creativity.

Exhibitions and auctions

Acquisitions

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Online meeting

Born in 1970 in Krasnoyarsk. Passed all levels of art education: Krasnoyarsk Art School named after V.I. Surikova Krasnoyarsk State Art Institute with honors Creative workshops of the Russian Academy of Arts As a student, he went on a creative trip to India, which helped create a series of compositions “Indian Etudes”. The works were exhibited at the Indian Academy of Arts in Delhi and at the Tretyakov Gallery in Moscow. Since 1994, he has been an active participant in art exhibitions at various levels: regional, regional, all-Russian and international, in Art Week projects and the Biennale. Publications in catalogs and media.

Now I am running several of my projects at once, which include a series of works on the topics: Angels of the Apocalypse, Calvary, Amazon and Kali Yuga. I am very close to the perception of the World through the prism of Eastern culture. I myself have been on expeditions across India many times, from plein airs to Ashrams and yoga, from the Rohtang Pass in the Himalayas at an altitude of 4,700 m in the north to the southernmost point - the Hindustan Peninsula, Kanyakumari, which provides a huge breeding ground for the themes of my projects. Despite the fact that these are not themes of the past, but a reflection, through the “archaism of our time,” of the present in which we now live. My goal is to express my thoughts in plastic. An artist cannot help but create; in this he is an egoist. Today, my sculptures stand in many cities: - from Vladivostok to Crimea - military themes, saints, athletes.. I am always looking for originality and an interesting composition.. But it is much happier if these are purely creative projects that have not undergone “moderation” such as “Peter and Fevronya” in Chastoozerye, “Romance” for lovers in Urai, “Chernobyls” and “Avgans” in Taman. Many famous people have small sculptures in bronze in their collections: Naryshkin S.E. - Chairman of the State Duma of the Russian Federation; Mindiashvili D.G. - Master of Sports of the USSR in Freestyle Wrestling, coach of the Russian national team; Filipenko V.A. - head of the city of Khanty-Mansiysk; Kuznetsov L.V. - Governor of the Krasnoyarsk Territory; Natalya Osipova - prima ballerina of the Mikhailovsky Theater and the London Royal Ballet; Vostrokin V.A. - State Duma deputy; Nikolai Valuev, Fedor Emelianenko, Vika Tsiganova and others..

About the sculptor

Раздвоение Бодхисаттвы олицетворяет две его духовные формы, как прекращение цепи реинкарнаций,
достижениям Архата и стремящегося к Освобождению., и второе как остаться в колесе сансары.,
связано с состраданием, жертвенностью сознательного не ухода в Нирвану с целью помочь обрести
Пробуждение всем живым существам.
Противоположные друг к другу части зеркальны, уводят в бесконечный мир отражений перерождения
самого зрителя…, начинаются от Манипура-чакры, чакры живота, самой жизни и поднимаясь в верх
волосами к единению, закручиваются по спирали устремившись к Высшему Абсолюту.
скульптура Бодхисаттвы стоит на кубе из афганского лазурита, подобен нашей голубой планете
в квадрате, опираясь на пальцы рук собранные в Притхви мудра, мудра земли., со стигматами на
ладонях что говорит о прощении всех живых существ во Вселенной., и третья опора закрученная
в завиток энергией Кундалини - это хвост змеи Нага, семь голов которой олицетворят семь чакр
нашей энергетической сущности.

The bifurcation of the Bodhisattva personifies his two spiritual forms, as the termination of the chain of reincarnations,
the achievements of the Arhat and the one striving for Liberation., and the second, how to stay in the wheel of samsara.,
is associated with compassion, sacrifice of conscious non-withdrawal into Nirvana in order to help gain
Awakening to all living beings.
The parts opposite to each other are mirrored, leading into an endless world of reflections of the rebirth
of the viewer himself..., starting from the Manipura chakra, the belly chakra, life itself and rising to the top
they strive for unity, spiraling towards the Highest Absolute.
the Bodhisattva sculpture stands on a cube of Afghan lapis lazuli, similar to our blue planet
in a square, resting on the fingers of the hands gathered in Prithvi mudra, the mudra of the earth., with stigmata on
the palms that speaks of the forgiveness of all living beings in the universe., and the third support twisted
into a curl by Kundalini energy is the tail of a Naga snake, seven heads which will be personified by the seven chakras
of our energy essence.

"БОДХИСАТТВА- ПРОСВЕТЛЕНИЕ"

"BODHISATTVA ENLIGHTENMENT"

Конфликты кровных братских народов вершили свои истории на протяжении тысячелетий…
Три брата бьются между собой, где общее тело может выступать как объединение,
единое начало, род, культуру…

The conflicts of blood-related fraternal peoples have been making their stories for thousands of years…
Three brothers are fighting among themselves, where a common body can act as an association,
a single principle, a kind, a culture…

"ТРИ БРАТА"

"THREE BROTHERS"

Работа из проекта "КАЛИ- ЮГА". Скульптура символизирует собой одного из божеств индуистского пантеона.
Ганеша худеет, когда Вселенная умирает, пустая чаша для подношений, всё замирает и исчезает,
образуется Пустота. Скульптура словно зависла, растворяясь в пространстве…, но Пустота как Абсолют
не может быть постоянной и в его правой руке, где на ладони знак Лотоса и надежда на возрождение,
он держит свой сломанный бивень, как символ веры , чтобы написать им Новую Вселенную.

Work from the KALI YUGA project. The sculpture symbolizes one of the deities of the Hindu pantheon.
Ganesha loses weight when the universe dies, an empty offering bowl, everything freezes and disappears,
a Void forms. The sculpture seemed to hover, dissolving into space ... but Emptiness as an Absolute
cannot be permanent and in his right hand, where the Lotus sign and the hope of rebirth are on the palm,
he holds his broken tusk as a symbol of faith to write them a New Universe.

"ПУСТОТА"

"EMPTINESS"

Работа из серии "АНГЕЛЫ АПОКАЛИПСИСА". Непробиваемая, невидимая преграда, олицетворяет борьбу
со своими эмоциями, как непреодолимое препятствие состоящее из наших комплексов, желаний и страхов…
Как преодолеть самого себя и пробиться за пределы Стены…

A work from the series "ANGELS OF THE APOCALYPSE". An impenetrable, invisible barrier embodies the struggle
with our emotions, as an insurmountable obstacle consisting of our complexes, desires and fears…
How to overcome yourself and break through the Wall…

"СТЕНА"

"THE "WALL"

Медуза Горгона наших дней, так я себе представляю ситуацию в сегодняшнем мире поглощенном
страшной пандемией COronaVIrus
Каждый кто заглянет в зеркальные глаза Медузы найдет там свое отражение и *окаменеет…
На земле практически не осталось никого, кто бы не встретился со взглядом Горгоны, молчаливый
крик которой прикрыт маской…, голодные змеи-волосы расходятся короной готовые вцепиться в любого,
кто окажется рядом с демоном…
Кровавая яшма олицетворяет нашу многострадальную планету…

The Gorgon jellyfish of our days, this is how I imagine the situation in today's world engulfed
by the terrible COronaVIrus pandemic
Anyone who looks into the mirrored eyes of a Jellyfish will find their reflection there and * become petrified…
There is practically no one left on earth who would not meet the gaze of the Gorgon, silent
the scream of which is covered by a mask ..., hungry snakes-the hair spreads out in a crown ready to cling to anyone
who happens to be next to the demon…
Bloody jasper represents our long-suffering planet…

"МЕДУЗА"

"MEDUSA"

Скульптура из проекта "ГОЛГОФА". Разбойник, он же Дисмас- имя преступника, который был распят на Голгофе
вместе с Христом и Гестасом. Раскаявшийся и уверовавший в Иисуса, Первый спасённый из людей.

A sculpture from the Golgotha project. The robber, also known as Dismas, is the name of the criminal who was crucified on Calvary
along with Christ and Gestas. Repentant and believing in Jesus, the first saved man.

"РАЗБОЙНИК"

"ROBBER"

Из серии "АМАЗОНКИ" 49х48х20 см. 2022г. бронза, патина, гранит.

Работа из серии "АМАЗОНКИ" - Плененный Единорог, с отпиленным рогом, спил которого полирован до зеркального блеска, и каждый желающий зритель может увидеть в нем свое отражение как в кривом зеркале, заглянуть внутрь своей души.
Напугает ли его отражении или воодушевит... 
Единорог-раб, как отображение деяний, стремлений и самоуничтожения духовных качеств в современной действительности.

The work from the series "AMAZONS" is a Captive Unicorn, with a sawn-off horn, the sawn-off of which is polished to a mirror shine, and every willing viewer can see his reflection in it as in a crooked mirror, look inside his soul.
Will his reflection frighten or inspire ...
the Unicorn slave, as a reflection of the deeds, aspirations and self-destruction of spiritual qualities in modern reality.

"МЕРИН"

"GELDING"

150х80х140 см. 2022г.
бронза, патина.,  входит в серию работ "ВРЕМЯ АНГЕЛОВ" 
 
Единорог как символ чистоты и непорочности истинных духовных качеств., впитал в себя все помыслы и поступки людей, искорёживших Единорога...
Два лика мужского и женского начала слились в единую космическую энергию, которую каждый зритель может подпитать звуком вибрации колокольчиков
Только совместно можно выстоять и выжить в этом Мире.

150x80x140 cm. 2022
bronze, patina., included in the series of works "TIME OF ANGELS"
 
The unicorn, as a symbol of purity and purity of true spiritual qualities, absorbed all the thoughts and deeds of people who distorted the Unicorn...
The two faces of the male and female principles merged into a single cosmic energy, which each viewer can sign with the sound of the vibration of bells
Only together can you stand up and survive in this World.

"ЕДИНОРОГ"

"UNICORN"

36х75х25 см., бронза.
Работа из серии "ВРЕМЯ АГЕЛОВ"
С какой стороны замка Он вставит ключ, Небо откроет или преисроднию...
Надежда взлететь, подняться с колен и боязнь рухнуть одновременно, в ожидании своих решений держит ключ так бережно, в нерешительности применить. 
Ключ в виде временной бескончности как мудрость и в тоже время искушение змеи.
С мечтой о Небе, но что проявится под сброшенной маской, радость, скорбь.
Делать выбор не просто., но каждый решает сам... 

36x75x25 cm., bronze.
Work from the series "TIME OF THE ANGELS"
On which side of the lock He will insert the key, the sky will open or the abyss ...
The hope of taking off, getting up from his knees and the fear of collapsing at the same time, while waiting for his decisions, he holds the key so carefully, hesitantly to apply. 
The key is in the form of temporary infinity as wisdom and at the same time the temptation of the snake.
With a dream of Heaven, but what will manifest under the discarded mask, joy, sorrow.
It's not easy to make a choice, but everyone decides for themselves...